"Gluck / Arr Kreisler: Orfeo ed Euridice, Wq. 30, Act 2: Dance of the Blessed Spirits" by Christoph Willibald Gluck, Camille Berthollet, Guillaume Vincent was released on October 28, 2016. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 17 in Camille & Julie Berthollet by Camille Berthollet, Julie Berthollet. Gluck / Arr Kreisler: Orfeo ed Euridice, Wq. 30, Act 2: Dance of the Blessed Spirits is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gluck / Arr Kreisler: Orfeo ed Euridice, Wq. 30, Act 2: Dance of the Blessed Spirits by Christoph Willibald Gluck, Camille Berthollet, Guillaume Vincent is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
Six Cello Sonatas, Book 4, Sonata No. 4 for Two Cellos in G Major: III. Allegro prestissimo | Jean Barrière, Guy Johnston, Sheku Kanneh-Mason | G Major | 2 | 9B | 148 BPM | ||
Massenet: Thaïs, Act 2: Méditation. Andante religioso | Jules Massenet, Renaud Capuçon, Daniel Harding, Deutsche Kammerphilharmonie Bremen | E Minor | 1 | 9A | 94 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) | Christoph Willibald Gluck, Vilde Frang | D Minor | 0 | 7A | 164 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Yuja Wang, Tonhalle Orchester Zürich, Lionel Bringuier | D♭ Minor | 0 | 12A | 85 BPM | ||
Gluck / Arr Siloti: Orphée et Eurydice, Wq. 41, Act I: Dance of the Blessed Spirits | Christoph Willibald Gluck, Alexandre Tharaud | B♭ Minor | 0 | 3A | 77 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Camille Berthollet, Julien Masmondet, Monte-Carlo Philharmonic Orchestra | C Minor | 1 | 5A | 71 BPM | ||
Schindler's List (Original Motion Picture Soundtrack): Theme | John Williams, Nemanja Radulović, Les Trilles Du Diable | D Minor | 1 | 7A | 129 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM |
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