"Romanian Folk Dances Sz. 56: III. In One Spot" by Béla Bartók, Martin Fröst, Royal Stockholm Philharmonic Orchestra had its release date on December 4, 2015. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Romanian Folk Dances Sz. 56: III. In One Spot's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Roots". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Romanian Folk Dances Sz. 56: III. In One Spot is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romanian Folk Dances Sz. 56: III. In One Spot by Béla Bartók, Martin Fröst, Royal Stockholm Philharmonic Orchestra having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento | Antonín Dvořák, Škampa Quartet | D Minor | 0 | 7A | 87 BPM | ||
Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) | Béla Bartók, Špela Mastnak, Yuka Ohta, Max Riefer, Deutsche Radio Philharmonie, Pietari Inkinen, Stephan Böhnlein, Martin Frink, Jochen Ille, Michael Gärtner | D♭ Major | 2 | 3B | 74 BPM | ||
Clarinet Quintet in B Minor, Op. 115: III. Andantino - Presto non assai, ma con sentimento | Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen | D Major | 2 | 10B | 105 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: II. First Decoy Game | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Impromptus, Op. 90, D. 899: Impromptu No. 4 in A-Flat Major | Franz Schubert, Simone Dinnerstein | A♭ Major | 0 | 4B | 66 BPM | ||
Airs Espagnols, Op. 18 (version for violin and orchestra) | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Major | 1 | 11B | 108 BPM | ||
Clarinet Sonata in E-Flat Major, Op. 120, No. 2: I. Allegro amabile | Johannes Brahms, Martin Fröst, Roland Pöntinen | E♭ Major | 0 | 5B | 104 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Fauré: Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. Robilliard) | Gabriel Fauré, Olivier Latry | E♭ Major | 0 | 5B | 74 BPM |