"Clarinet Sonata in E-Flat Major, Op. 120, No. 2: I. Allegro amabile" by Johannes Brahms, Martin Fröst, Roland Pöntinen had its release date on January 1, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 12 in Brahms: Clarinet Sonatas Nos. 1 and 2 / Clarinet Trio by Johannes Brahms, Martin Fröst, Roland Pöntinen, Torleif Thedéen. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Clarinet Sonata in E-Flat Major, Op. 120, No. 2: I. Allegro amabile is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Clarinet Sonata in E-Flat Major, Op. 120, No. 2: I. Allegro amabile by Johannes Brahms, Martin Fröst, Roland Pöntinen is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata For Flute & Piano In C Major: Allegro cantabile | Otar Taktakishvili, Eva Kupiec, Marina Piccinini | C Major | 1 | 8B | 102 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Fantasiestücke, Op. 73: 1. Zart und mit Ausdruck | Robert Schumann, Martha Argerich, Mischa Maisky | F Major | 0 | 7B | 64 BPM | ||
Concerto for Viola and Orchestra: II. Vivo e molto preciso | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 2 | 8A | 144 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 2 in D Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | D Minor | 2 | 7A | 158 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo (Allegro) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | A Major | 1 | 11B | 138 BPM |