Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields's 'Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo (Allegro)' came out on 1976. With this song being about 5 minutes long, at 4:57, "Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo (Allegro)" by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Joseph Haydn, Mstislav Rostropovich's "Haydn: Cello Concertos Nos 1 & 2" album is number 6 out of 6. Based on our statistics, Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo (Allegro)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo (Allegro) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. — | Johann Sebastian Bach, Sir Neville Marriner, Anthony Jenkins, Charles Medlam, Denis Vigay, John Constable, Raymund Koster, Stephen Shingles, William Hunt, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 168 BPM | ||
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: III. Larghetto, e piano | George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 169 BPM | ||
String Sonata No. 1 in G major: 1. Moderato | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 60 BPM | ||
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 4 | 9B | 91 BPM | ||
Cello Concerto No. 2 in D Hob. VIIb:2 (Cadenzas: Lynn Harrell): III. Rondo (Allegro) - Cadenza | Lynn Harrell, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 134 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Holberg Suite, Op.40: 1. Präludium (Allegro vivace) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 142 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb, 2: I. Allegro moderato (Cadenza by Rostropovich) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | D Major | 1 | 10B | 121 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 2: No. 30, Danse des ombres heureuses | Christoph Willibald Gluck, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 76 BPM |
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