"Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 2: No. 30, Danse des ombres heureuses" by Christoph Willibald Gluck, Academy of St. Martin in the Fields, Sir Neville Marriner was released on February 7, 2011. Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 2: No. 30, Danse des ombres heureuses is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The song is number 4 out of 19 in Baroque Masterpieces by Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 2: No. 30, Danse des ombres heureuses is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gluck: Orphée et Eurydice, Wq. 41, Act 2 Scene 2: No. 30, Danse des ombres heureuses by Christoph Willibald Gluck, Academy of St. Martin in the Fields, Sir Neville Marriner is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: I. Allegro | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | G Major | 2 | 9B | 108 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Harmonies des bois, Op. 76: No. 2 Les Larmes de Jacqueline | Jacques Offenbach, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | C Major | 0 | 8B | 65 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 157 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM |
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