Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields's 'Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb, 2: I. Allegro moderato (Cadenza by Rostropovich)' came out on 1976. Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb, 2: I. Allegro moderato (Cadenza by Rostropovich) appears to be safe for all ages as it is not explicit. The track order of this song in Franz Joseph Haydn, Mstislav Rostropovich's "Haydn: Cello Concertos Nos 1 & 2" album is number 4 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb, 2: I. Allegro moderato (Cadenza by Rostropovich)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb, 2: I. Allegro moderato (Cadenza by Rostropovich) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione | Muzio Clementi, Balazs Szokolay | B♭ Major | 1 | 6B | 132 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | D♭ Minor | 0 | 12A | 108 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Concerto Grosso h-Moll, Op. 6, Nr. 12, HWV 330: 3. Larghetto, e piano - Variatio (Fluch der Karibik): II. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | D Major | 0 | 10B | 170 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Sonata In D Major, Kk.119: Allegro | Domenico Scarlatti, Ivo Pogorelich | D Major | 1 | 10B | 126 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM | ||
Souvenir de Florence, Op. 70 | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Borodin Quartet, Genrikh Talalyan | D Minor | 2 | 7A | 171 BPM |
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