Béla Bartók, Špela Mastnak, Yuka Ohta, Max Riefer, Deutsche Radio Philharmonie, Pietari Inkinen, Stephan Böhnlein, Martin Frink, Jochen Ille, Michael Gärtner's 'Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble)' came out on September 9, 2022. With Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 10 in Bartók: Orchestral Works by Béla Bartók, Deutsche Radio Philharmonie, Pietari Inkinen. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) by Béla Bartók, Špela Mastnak, Yuka Ohta, Max Riefer, Deutsche Radio Philharmonie, Pietari Inkinen, Stephan Böhnlein, Martin Frink, Jochen Ille, Michael Gärtner is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in A Major, Sz. 83: I. Allegro moderato — Allegro | Béla Bartók, Pierre-Laurent Aimard, San Francisco Symphony, Esa-Pekka Salonen | C Major | 2 | 8B | 114 BPM | ||
Radant Rhythms | Nunim | C Major | 3 | 8B | 79 BPM | ||
Fantasia for Violin Solo n. 1 in B flat major Allegro var. (G. P. Telemann) | Stanislao Marco Spina | A Major | 0 | 11B | 102 BPM | ||
Kaleidoscope: III. Fresh Expectation | Chin Cheng Lin | A Major | 3 | 11B | 120 BPM | ||
Trois estampes: No. 2, La bouée orange | Carlo Francesco Defranceschi, Valentina Lombardo | F Minor | 0 | 4A | 88 BPM | ||
Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) | Béla Bartók, Špela Mastnak, Yuka Ohta, Max Riefer, Deutsche Radio Philharmonie, Pietari Inkinen, Stephan Böhnlein, Martin Frink, Jochen Ille, Michael Gärtner | D♭ Major | 2 | 3B | 74 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
Reminiscentia / Autumn Landscapes: II. Clouds Racing Across the Sky | Veljo Tormis, Tallinn Chamber Orchestra, Tõnu Kaljuste | E Minor | 0 | 9A | 102 BPM | ||
Concerto for String Orchestra: II. Andante | Graźnya Bacewicz, Sinfonia Of London, John Wilson | A Minor | 4 | 8A | 130 BPM | ||
Prelude to Dorotea | Martin Fröst | D Minor | 0 | 7A | 77 BPM |
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