Galina Ustvolskaya, Marianne Schroeder made "Twelve Preludes For Piano (1953): I" available on 1993. The duration of Twelve Preludes For Piano (1953): I is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Twelve Preludes For Piano (1953): I's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Galina Ustvolskaya, Various Artists's "Galina Ustvolskaya: 2" album is number 1 out of 20. Twelve Preludes For Piano (1953): I is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Twelve Preludes For Piano (1953): I by Galina Ustvolskaya, Marianne Schroeder to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 3: 1. Allegro | Alfred Schnittke, Victor Lieberman, Jaap Van Zweden, Ronald Brautigam, Royal Concertgebouw Orchestra, Riccardo Chailly | C Minor | 3 | 5A | 90 BPM | ||
Grand Duet For Violoncello And Piano (1959): II | Galina Ustvolskaya, Marianne Schroeder, Rohan De Saram | F♯ Minor | 0 | 11A | 86 BPM | ||
Must the Devil Have All the Good Tunes?: II. Much Slower; Gently, Relaxed | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 1 | 7B | 60 BPM | ||
Sonata No 3 (1939): I. Lento, rubato | Giacinto Scelsi, Marianne Schroeder | A Major | 1 | 11B | 67 BPM | ||
D'un vieux jardin | Lili Boulanger, Emile Naoumoff | D Major | 0 | 10B | 83 BPM | ||
Shadow | Anja Lechner, François Couturier | D♭ Major | 0 | 3B | 88 BPM | ||
Piano Sonata No. 5: X. — | Galina Ustvolskaya, Sabine Liebner | E Minor | 1 | 9A | 141 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: XV. Arioso interrotto (di Endre Szervánsky). Larghetto | György Kurtág, Navarra String Quartet | C Major | 0 | 8B | 62 BPM | ||
Verklärte Nacht, Op. 4 - Version for String Sextet: I. Sehr langsam | Arnold Schoenberg, LaSalle Quartet, Donald McInnes, Jonathan Pegis | C Minor | 1 | 5A | 85 BPM | ||
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM |
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