"String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento" by Antonín Dvořák, Škampa Quartet was released on June 30, 2017. Since String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Dvořák: American String Quartet & Quintet, Op. 96-97 by Antonín Dvořák, Škampa Quartet, Krzysztof Chorzelski. String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento by Antonín Dvořák, Škampa Quartet is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Cellos in G Minor, RV 531: I. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 3 | 6A | 115 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
8 Humoresques, Op. 101, B. 187: No. 7. Poco lento e grazioso in G-Flat Major (arr. for violin and piano) | Anonymous, Antonín Dvořák, Takako Nishizaki, Terence Dennis | D Major | 1 | 10B | 105 BPM | ||
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop" | Frédéric Chopin, Evgeny Kissin | G Major | 2 | 9B | 101 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM |
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