"Etudes latines: Néère" by Reynaldo Hahn, Véronique Gens, Susan Manoff was released on October 16, 2015. The duration of Etudes latines: Néère is about 3 minutes long, at 3:16. Based on our data, "Etudes latines: Néère" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Néère". In this album, this song's track order is #1. In terms of popularity, Etudes latines: Néère is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Etudes latines: Néère by Reynaldo Hahn, Véronique Gens, Susan Manoff having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op.48: Pie Jesu | Gabriel Fauré, Cecilia Bartoli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani, Daniele Rossi | B♭ Major | 0 | 6B | 87 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Patricia Petibon, Venice Baroque Orchestra, Andrea Marcon | E Major | 0 | 12B | 171 BPM | ||
Alyabyev: Solovey | Alexander Alyabyev, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | D Minor | 1 | 7A | 88 BPM | ||
Chants d'Auvergne, Vol. 1: No. 2. Passo pel prat (Go through the meadow) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | A Major | 1 | 11B | 90 BPM | ||
R. Hahn - Le ruban dénoué - 12 valses à deux pianos et une mélodie: R. Hahn - Puisque j'ai mis ma lèvre - Mélodie sur une poésie de Victor Hugo - Lent | Reynaldo Hahn, Sandrine Piau, Eric Le Sage | D♭ Minor | 1 | 12A | 100 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: "O Silver Moon" | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 61 BPM | ||
Misero, così va - from Eliogabalo | Francesco Cavalli, Ed Lyon, Theatre of the Ayre, Elizabeth Kenny | A♭ Minor | 3 | 1A | 96 BPM | ||
Musiques sur l’eau: No. 6, Blancheurs d’ailes | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | D Major | 1 | 10B | 68 BPM | ||
Venus' birds whose mournful tunes | John Bennet, Julian Behr, Andreas Scholl, Concerto di Viole | E♭ Minor | 1 | 2A | 108 BPM | ||
Artaserse: Se al labbro mio non credi - Instrumental Version | Christophe Rousset, Les Talens Lyriques | E Minor | 0 | 9A | 133 BPM |
Section: 1.0998389720916748
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