Christophe Rousset, Les Talens Lyriques's 'Artaserse: Se al labbro mio non credi - Instrumental Version' came out on November 1, 1994. With this song being about 5 minutes long, at 5:00, "Artaserse: Se al labbro mio non credi - Instrumental Version" by Christophe Rousset, Les Talens Lyriques is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 11 in Farinelli - Il Castrato (Original Motion Picture Soundtrack) [From Gérard Corbiau's Film Farinelli, il castrato] by Christophe Rousset. Based on our statistics, Artaserse: Se al labbro mio non credi - Instrumental Version's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Artaserse: Se al labbro mio non credi - Instrumental Version by Christophe Rousset, Les Talens Lyriques is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
Fausto, Act II: Recitativo. Ecco, tornata è in casa | Louise Bertin, Karine Deshayes, Ante Jerkunica, Les Talens Lyriques, Christophe Rousset | D♭ Major | 1 | 3B | 72 BPM | ||
La Grotta di Trofonio: I. Ofelia (D'un Dolce Amor la Face) | Antonio Salieri, Christophe Rousset | A♭ Major | 2 | 4B | 47 BPM | ||
Les Danaïdes, Acte III Scène 1: Air de danse (4) | Antonio Salieri, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli, Les Talens Lyriques, Christophe Rousset | G Minor | 2 | 6A | 130 BPM | ||
Le Pouvoir de l'Amour, Troisième entrée Scène 1: Ritournelle | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 139 BPM | ||
Water Music (ed. Boyling) (1999 Digital Remaster), Suite no.2 in D: Gigue | George Frideric Handel, Yehudi Menuhin, Bath Festival Orchestra | D Major | 1 | 10B | 118 BPM | ||
Concerto No. 2 In G Minor RV 578: II. Allegro (Vivaldi) | Accademia Bizantina | F♯ Minor | 3 | 11A | 120 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Les fêtes de Polymnie: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | D♭ Major | 0 | 3B | 67 BPM | ||
Fausto, Act IV: Cantabile. Meco è già la morte | Louise Bertin, Karine Deshayes, Karina Gauvin, Ante Jerkunica, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM |
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