Accademia Bizantina made "Concerto No. 2 In G Minor RV 578: II. Allegro (Vivaldi)" available on 2002. The duration of Concerto No. 2 In G Minor RV 578: II. Allegro (Vivaldi) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Concerto No. 2 In G Minor RV 578: II. Allegro (Vivaldi)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: L'Estro Armonico op. 3, Vol. 1: Concertos Nos. 1-6 by Accademia Bizantina. The song's track number on the album is #5 out of 20 tracks. Based on our statistics, Concerto No. 2 In G Minor RV 578: II. Allegro (Vivaldi)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Concerto No. 2 In G Minor RV 578: II. Allegro (Vivaldi) by Accademia Bizantina has a tempo of 120 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Concerto No. 2 In G Minor RV 578: II. Allegro (Vivaldi) being at 120 BPM, the half-time would be 60 BPM with a double-time of 240 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Three Violins and Strings in D Major, BWV 1064: I. Allegro | Johann Sebastian Bach, Simon Standage, Collegium Musicum 90, Micaela Comberti, Miles Golding | D♭ Major | 3 | 3B | 95 BPM | ||
Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B♭ Minor | 1 | 3A | 106 BPM | ||
I - Allegro from: Concerto No. 5 in d minor | Accademia Bizantina | D♭ Minor | 3 | 12A | 111 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Concerto No. 5 In A Major RV 519: III. Allegro (Vivaldi) | Accademia Bizantina | A♭ Major | 3 | 4B | 146 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: II. Andante | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | G Major | 1 | 9B | 169 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Violin Concerto in E Minor, D. 56: II. Adagio | Giuseppe Tartini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | E Minor | 1 | 9A | 70 BPM | ||
Concerti a cinque Op. 9 for oboe and strings, Concerto No. 8 in G major: III. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 2 | 11A | 106 BPM |
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