Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset's 'Le Pouvoir de l'Amour, Troisième entrée Scène 1: Ritournelle' came out on May 5, 2023. With Le Pouvoir de l'Amour, Troisième entrée Scène 1: Ritournelle being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Pancrace Royer: Surprising Royer, Orchestral Suites". In this album, this song's track order is #11. Furthermore, we believe that the track originated from France. Based on our statistics, Le Pouvoir de l'Amour, Troisième entrée Scène 1: Ritournelle's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le Pouvoir de l'Amour, Troisième entrée Scène 1: Ritournelle by Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pyrrhus, Prologue, Scene 2: "Redoutable dieu des combats" - Live Recording at La Salle des Croisades du Château de Versailles | Joseph-Nicolas-Pancrace Royer, Les Enfants d'Apollon, Michael Greenberg, Virgile Ancely, Edwige Parat | C Minor | 1 | 5A | 75 BPM | ||
24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 6 | 10A | 110 BPM | ||
Bwv 639: Choral Ich Ruf Zu Dir, Herr Jesu Christ | Ton Koopman | F♯ Minor | 0 | 11A | 62 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 75 BPM | ||
Les sauvages | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 118 BPM | ||
Le Pouvoir de l'Amour, Troisième entrée Scène 4: Entrée pour les sauvages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM | ||
Concerto In D Major For 2 Violins, Strings & Continuo, RV 511: 2. Largo | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | E Minor | 0 | 9A | 75 BPM | ||
Rondo in F Major, K. 494 | Wolfgang Amadeus Mozart, Víkingur Ólafsson | F Major | 2 | 7B | 106 BPM |
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