Lucilla Galeazzi, L'Arpeggiata, Christina Pluhar, Marco Beasley's 'Ah, vita bella !' came out on 2001. The duration of Ah, vita bella ! is about 3 minutes long, at 3:06. Based on our data, "Ah, vita bella !" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley's "La Tarantella: Antidotum Tarantulae (Extraits de la bande originale du film "Tous les soleils")" album is number 7 out of 17. On top of that, France appears to be the country where this track was created. Ah, vita bella ! is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ah, vita bella ! by Lucilla Galeazzi, L'Arpeggiata, Christina Pluhar, Marco Beasley to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rappresentatione di Anima, et di Corpo, Atto secondo: Sinfonia | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar | G Major | 1 | 9B | 64 BPM | ||
Kus Kus | Barcelona Gipsy Klezmer Orchestra | A Minor | 4 | 8A | 128 BPM | ||
Una notte disperata | Musica Nuda | E Minor | 2 | 9A | 95 BPM | ||
Provenzale: Cuccopinto de st’arma | Francesco Provenzale, Christina Pluhar, Alessandro Giangrande, Joao Fernandes | G Minor | 1 | 6A | 176 BPM | ||
Ninna Nanna sopra la romanesca | L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi | B Minor | 0 | 10A | 131 BPM | ||
Handel / Arr Pluhar: Venti, turbini (Aria di Rinaldo, from Rinaldo HWV 7) | George Frideric Handel, Christina Pluhar, Valer Sabadus, L'Arpeggiata | G Major | 3 | 9B | 117 BPM | ||
Esperanza | Marc Perrone | A Minor | 8 | 8A | 95 BPM | ||
Alio | Naragonia | B Minor | 1 | 10A | 126 BPM | ||
Bellini: Norma: "Casta diva" (Norma, Coro) [Live, Paris, 1958] | Vincenzo Bellini, Maria Callas, Chœur du Théâtre national de l'Opéra de Paris, Georges Sebastian, Orchestre du Théâtre National de l'Opéra de Paris | F Major | 3 | 7B | 165 BPM | ||
Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Stephan MacLeod, Béatrice Mayo-Felip, Marco Beasley, Johannette Zomer, Núria Rial | G Major | 1 | 9B | 75 BPM |
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