"Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro)" by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Stephan MacLeod, Béatrice Mayo-Felip, Marco Beasley, Johannette Zomer, Núria Rial was released on 2004. Since Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 14 out of 31 in Cavalieri: Rappresentatione di Anima, et di Corpo by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar. Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rappresentatione di Anima, et di Corpo, Atto secondo: Scena settima (Mondo, Vita mondana, Corpo, Anima, Angelo Custode, Choro) by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Stephan MacLeod, Béatrice Mayo-Felip, Marco Beasley, Johannette Zomer, Núria Rial is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Deus, qui beatum Marcum a 10, C. 36 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Oltremontano, Wim Becu | B Major | 1 | 1B | 87 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Missa Quadragesimalis, MH 552: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 40 BPM | ||
Los coflades de la estleya | Juan de Araujo, Ensemble Villancico, Peter Pontvik | F♯ Major | 2 | 2B | 81 BPM | ||
Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
Dido and Aeneas, Z. 626: Act II: Ritornelle | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | D♭ Minor | 0 | 12A | 83 BPM | ||
Messe vidi turbam magnam: No. 2, Kyrie | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 3 | 7B | 80 BPM | ||
Quemadmodum | John Taverner, Owen Rees, Contrapunctus | C Minor | 1 | 5A | 76 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM |
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