"Ninna Nanna sopra la romanesca" by L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi was released on 2003. The duration of Ninna Nanna sopra la romanesca is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Ninna Nanna sopra la romanesca's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 15 in All' Improvviso: Ciaccone, Bergamasche, & un po' di Follie... by Christina Pluhar, L'Arpeggiata. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Ninna Nanna sopra la romanesca's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ninna Nanna sopra la romanesca by L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Mandolins in G Major for Strings and Continuo, RV 532: II. Andante | Antonio Vivaldi, L'Arte dell' Arco, Mauro Squillante, Davide Rebuffa, Federico Guglielmo | E Minor | 1 | 9A | 70 BPM | ||
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
Purcell: "O Solitude, My Sweetest Choice", Z. 406 | Henry Purcell, Christina Pluhar, Sarah Ridy, Haru Kitamika, L'Arpeggiata | G Minor | 0 | 6A | 169 BPM | ||
Uccellini : Aria sopra 'La Bergamasca' | Marco Uccellini, Il Giardino Armonico | B♭ Major | 2 | 6B | 74 BPM | ||
Terpsichore*: La Bouree | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | D Major | 4 | 10B | 106 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
Adieu delices de mon ceur | Jacob Clemens non Papa, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 79 BPM | ||
La tarantella | Cristofaro Caresana, Antonio Florio, Cappella de' Turchini | A♭ Minor | 2 | 1A | 102 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Rossi: L'Orfeo, Act 2: "A l'imperio d'Amore" (Chorus, Eurydice) | Luigi Rossi, Christina Pluhar, Véronique Gens | C Major | 2 | 8B | 108 BPM |
Section: 0.9671139717102051
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