Luigi Rossi, Christina Pluhar, Véronique Gens's 'Rossi: L'Orfeo, Act 2: "A l'imperio d'Amore" (Chorus, Eurydice)' came out on November 15, 2019. The duration of Rossi: L'Orfeo, Act 2: "A l'imperio d'Amore" (Chorus, Eurydice) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Rossi: L'Orfeo, Act 2: "A l'imperio d'Amore" (Chorus, Eurydice)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Rossi: La lyra d'Orfeo & Arpa Davidica". In this album, this song's track order is #4. In terms of popularity, Rossi: L'Orfeo, Act 2: "A l'imperio d'Amore" (Chorus, Eurydice) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rossi: L'Orfeo, Act 2: "A l'imperio d'Amore" (Chorus, Eurydice) by Luigi Rossi, Christina Pluhar, Véronique Gens having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossi: "Erminia sventurata" (Lamento di Erminia) | Luigi Rossi, Christina Pluhar, Giuseppina Bridelli | D Minor | 1 | 7A | 103 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Sonata in tremulo | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | ||
Rameau : Hippolyte et Aricie : Overture | Jean-Philippe Rameau, William Christie, Les Arts Florissants | C Major | 2 | 8B | 161 BPM | ||
Salve Regina (Motetti a una, due vocie con sinfonie d'istromenti, Libro primo, 1621, A. Vincenti, Venezia) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 75 BPM | ||
Die ausgesöhnte Eifersucht oder Cephalus und Procris: Einsamkeit, du Qual des Hertzen (Arie) | Johann Philipp Krieger, Núria Rial, Julia Schröder | B Minor | 1 | 10A | 96 BPM | ||
Cavalli: Doriclea: Sinfonia | Francesco Cavalli, Philippe Jaroussky | A Minor | 1 | 8A | 108 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Improvisation II on the Folia bass | Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | B Major | 1 | 1B | 107 BPM | ||
Ingordo Human Desio | Luigi Rossi, San Petronio Cappella Musicale Soloists | E♭ Minor | 0 | 2A | 121 BPM | ||
Caccini: Le nuove musiche: VIII. Amarilli, mia bella | Giulio Caccini, Nathalie Stutzmann, Marie-Domitille Murez | F♯ Major | 1 | 2B | 170 BPM |
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