"Rossi: "Erminia sventurata" (Lamento di Erminia)" by Luigi Rossi, Christina Pluhar, Giuseppina Bridelli was released on November 15, 2019. Rossi: "Erminia sventurata" (Lamento di Erminia) is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. There are a total of 36 in the song's album "Rossi: La lyra d'Orfeo & Arpa Davidica". In this album, this song's track order is #29. In terms of popularity, Rossi: "Erminia sventurata" (Lamento di Erminia) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rossi: "Erminia sventurata" (Lamento di Erminia) by Luigi Rossi, Christina Pluhar, Giuseppina Bridelli having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate, arie et correnti, Op. 3: No. 5, La Bergamasca | Marco Uccellini, Nicholas McGegan, The Arcadian Academy | A♭ Major | 2 | 4B | 80 BPM | ||
Scarlatti, A / Orch Orfeo 55: L'honestà negli amori, Act 1: "Già il sole dal Gange" (Saldino) [Orch. Orfeo 55] | Alessandro Scarlatti, Nathalie Stutzmann, Orfeo 55 | D♭ Major | 4 | 3B | 92 BPM | ||
Maddalena ai piedi di Cristo: No. 18 Aria Maddalena "Pompe inutili" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | F♯ Minor | 1 | 11A | 82 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | ||
Concert XLIV: Tombeau les regrets - Les pleurs | Monsieur de Sainte-Colombe, Jordi Savall, Wieland Kuijken | D♭ Minor | 0 | 12A | 111 BPM | ||
sopra Canaryo | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Major | 1 | 9B | 79 BPM | ||
L'Arabesque - 4ème livre de Pièces de viole (Marin Marais) | Marin Marais, Rolf Lislevand, Pierre Hantaï, Jordi Savall | E Major | 1 | 12B | 102 BPM | ||
Air espagnol: No ay en la tierra | Charles Tessier, Claire Lefilliâtre, Bruno Le Levreur, Jan Van Elsacker, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | D♭ Major | 0 | 3B | 75 BPM | ||
Membra Jesu Nostri, BuxWV 75: I. Ad pedes. Ecce super montes | Dietrich Buxtehude, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 1 | 4B | 97 BPM |
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