On November 10, 1993, the song "Sonate, arie et correnti, Op. 3: No. 5, La Bergamasca" was released by Marco Uccellini, Nicholas McGegan, The Arcadian Academy. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Uccellini: "La bergamasca"". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Sonate, arie et correnti, Op. 3: No. 5, La Bergamasca is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sonate, arie et correnti, Op. 3: No. 5, La Bergamasca by Marco Uccellini, Nicholas McGegan, The Arcadian Academy having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Triumphe de L'Amour (1681): Prélude pour la nuit | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 0 | 12A | 127 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Flute Concerto in D Major, RV 429: Allegro - Andante - Allegro | Antonio Vivaldi, Janet See, Nicholas McGegan, Philharmonia Baroque Orchestra | E Minor | 0 | 9A | 92 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giovanni Battista Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 140 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Concerto in E-Flat Major K. 417: II. Andante | Wolfgang Amadeus Mozart, Lowell Greer, Nicholas McGegan, Philharmonia Baroque Orchestra | F Major | 0 | 7B | 72 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Nel silenzio comune: Aria: Se negasti vegliando | Alessandro Scarlatti, Brian Asawa, Arcadian Academy, Nicholas McGegan | E Major | 1 | 12B | 79 BPM | ||
Sonate, arie et correnti, Op. 3: Aria quinta "Sopra la Bergamasca" | Marco Uccellini, Palladian Ensemble | D♭ Major | 1 | 3B | 99 BPM | ||
Twas Within a Furlong | Henry Purcell, Christine Brandes, Nicholas McGegan, The Arcadian Academy, Mary Springfels | F♯ Major | 1 | 2B | 116 BPM |
Section: 1.33058500289917
End: 1.3432633876800537