Alessandro Scarlatti, Brian Asawa, Arcadian Academy, Nicholas McGegan's 'Nel silenzio comune: Aria: Se negasti vegliando' came out on November 1, 1998. With Nel silenzio comune: Aria: Se negasti vegliando being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Scarlatti: Cantatas Vol. III". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Nel silenzio comune: Aria: Se negasti vegliando is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nel silenzio comune: Aria: Se negasti vegliando by Alessandro Scarlatti, Brian Asawa, Arcadian Academy, Nicholas McGegan having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, Op. 2, No. 2: III. Largo | Benedetto Marcello, Dan Laurin, Parnassus Avenue | E Major | 0 | 12B | 76 BPM | ||
Sei Concerti in sette parti: No. 5 in D Minor: IV. Minuetto | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Minor | 4 | 12A | 116 BPM | ||
Sinfonia No. 10 in C Major: IV. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 125 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 6 in D minor, BWV 851 | Luc Beauséjour | D♭ Minor | 5 | 12A | 125 BPM | ||
Concerto For Harp In B-Flat Major: I. Andante Allegro | George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 1 | 11B | 94 BPM | ||
from 7 Arie con Tromba Sola: 4. Rompe Sprezza - Voice | Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson | D Major | 1 | 10B | 85 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Oboe Concerto in E-Flat Major, H. 468, Wq. 165: I. Allegro | Carl Philipp Emanuel Bach, Xenia Löffler, Akademie für Alte Musik Berlin | D Major | 1 | 10B | 146 BPM | ||
Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | D Major | 3 | 10B | 105 BPM | ||
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM |
Section: 0.6364655494689941
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