Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson made "from 7 Arie con Tromba Sola: 4. Rompe Sprezza - Voice" available on April 21, 1992. With from 7 Arie con Tromba Sola: 4. Rompe Sprezza - Voice being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 23 in Baroque Duet by Wynton Marsalis. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. from 7 Arie con Tromba Sola: 4. Rompe Sprezza - Voice is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of from 7 Arie con Tromba Sola: 4. Rompe Sprezza - Voice by Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarro: Messa a 5 voci: "Laudamus te" | Domenico Sarro, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 2 | 1A | 113 BPM | ||
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Monk's Mood | Wynton Marsalis | F♯ Major | 3 | 2B | 97 BPM | ||
Ghost Story: Celebration | Wynton Marsalis, Jaz Sawyer, Eric Lewis, Carlito Henriquez, Ted Nash | A♭ Minor | 0 | 1A | 111 BPM | ||
Acknowledgement | Jazz At Lincoln Center Orchestra, Wynton Marsalis | F Minor | 5 | 4A | 115 BPM | ||
Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 4. Recitativo - Voice | Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's | B Major | 0 | 1B | 172 BPM | ||
Pergolesi: Confitebor: IV. Redemptionem misit | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 2 | 11A | 120 BPM | ||
Trumpet Concerto in E-Flat Major, Hob. VIIe:1: II. Andante | Franz Joseph Haydn, Raymond Leppard, Wynton Marsalis, National Philharmonic Orchestra | A♭ Major | 1 | 4B | 171 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | G Major | 1 | 9B | 79 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante Largo | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella Istropolitana | F Major | 1 | 7B | 168 BPM |
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