Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis made "Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro" available on November 8, 1995. The duration of Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 21 in Albinoni: Oboe Concertos, Vol. 2 by Tomaso Albinoni, Alison Alty, Anthony Camden, John Georgiadis, London Virtuosi. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro by Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In C Minor, Op. 6, No. 3 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Anna Holbling, Quido Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 1 | 5A | 92 BPM | ||
Suite From Abdelzar: II. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 92 BPM | ||
Oboe Concerto in C: 2. Allegro | Domenico Cimarosa, Heinz Holliger, I Musici | C Major | 2 | 8B | 114 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | A Major | 1 | 11B | 82 BPM | ||
Oboe Concerto No. 1 in C Major: Allegretto | Carlo Besozzi, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 1 | 8B | 127 BPM | ||
Mozart: Divertimento in D Major, K. 136 "Salzburg Symphony No. 1": II. Andante | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 1 | 10A | 105 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM |
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