Marin Marais, Rolf Lislevand, Pierre Hantaï, Jordi Savall's 'L'Arabesque - 4ème livre de Pièces de viole (Marin Marais)' came out on January 1, 2001. L'Arabesque - 4ème livre de Pièces de viole (Marin Marais) is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Tous les matins du monde (Bande originale du film)". In this album, this song's track order is #10. In terms of popularity, L'Arabesque - 4ème livre de Pièces de viole (Marin Marais) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'Arabesque - 4ème livre de Pièces de viole (Marin Marais) by Marin Marais, Rolf Lislevand, Pierre Hantaï, Jordi Savall having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lettera amorosa a voce sola in genero rappresentativo e si canta senza battuta (Settimo Libro) | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | D Minor | 0 | 7A | 69 BPM | ||
Quintetto No. 4 in Re Maggiore "Fandango" per Corda e Chitarra, G. 448: Allegro Maestoso | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | A Major | 1 | 11B | 147 BPM | ||
Marais: Pièces de viole, Livre II, Suite No. 3 en ré majeur: Les voix humaines | Marin Marais, Jean Rondeau | B Major | 0 | 1B | 83 BPM | ||
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
Aria di Firenze per la C | Giovanni Paolo Foscarini, Ensemble Kapsberger, Rolf Lislevand | D Major | 2 | 10B | 114 BPM | ||
Quintetto in Do Maggiore La Musica Notturna Delle Strade Di Madrid Op. 30, No. 6, G. 324: Ritirata - Maestoso | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | G Major | 1 | 9B | 113 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: I . Adagio | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 1 | 3B | 87 BPM | ||
Rameau: Nouvelles Suites de Pièces de Clavecin (1727), Suite in G Major, RCT 6: No. 3. Menuet I - Menuet II | Jean-Philippe Rameau, Jean Rondeau | F Major | 3 | 7B | 117 BPM | ||
The Tempest: Galliard | Matthew Locke, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 2 | 11A | 117 BPM |
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