Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon's 'Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251' came out on April 11, 2020. Since Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Work From Home With Monteverdi by Claudio Monteverdi. The song's track number on the album is #24 out of 47 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 by Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | ||
La finta semplice, K.51: Sinfonia | Wolfgang Amadeus Mozart, La Cetra Barockorchester Basel, Andrea Marcon | D Major | 1 | 10B | 76 BPM | ||
La Folia: Yo Soy la Locura | La Capella Reial De Catalunya, Hespèrion XXI, Montserrat Figueras, Andrew Lawrence-King, Pedro Estevan | A Minor | 1 | 8A | 131 BPM | ||
À Chloris | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 185 BPM | ||
In Caelo Stele Clare Fulgescant: Alleluia | Nicola Porpora, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 3 | 4B | 0 BPM | ||
La Betulia liberata, K. 118: Overtura | Wolfgang Amadeus Mozart, La Cetra Barockorchester Basel, Andrea Marcon | D Minor | 1 | 7A | 79 BPM | ||
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
Violin Concerto in D Minor, D. 45: II. Grave | Giuseppe Tartini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | D Minor | 1 | 7A | 111 BPM | ||
Improvisations sur les folies d'Espagne (extraits) (Marin Marais) | Marin Marais, Jordi Savall | B Major | 1 | 1B | 59 BPM |
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