"Improvisations sur les folies d'Espagne (extraits) (Marin Marais)" by Marin Marais, Jordi Savall was released on January 1, 2001. With Improvisations sur les folies d'Espagne (extraits) (Marin Marais) being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Tous les matins du monde (Bande originale du film)". In this album, this song's track order is #2. Improvisations sur les folies d'Espagne (extraits) (Marin Marais) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Improvisations sur les folies d'Espagne (extraits) (Marin Marais) by Marin Marais, Jordi Savall having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passagalia in G Minor | Heinrich Ignaz Franz von Biber, Xavier Diaz-Latorre | F♯ Minor | 2 | 11A | 100 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Paul O'Dette | D Minor | 2 | 7A | 87 BPM | ||
Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin | Jean-Philippe Rameau, Christian-Pierre La Marca | F♯ Minor | 3 | 11A | 85 BPM | ||
Marche Ottomane (Manuscrit Cantemir 209) | Derya Türkan, Yurdal Tokcan, Murat Salim Tokac, Hakan Gungor, Fahrettin Yarkın, Nedyalko Nedyalkov, Dimitri Psonis, Driss El Maloumi, Pedro Estevan, Jordi Savall | A Minor | 3 | 8A | 92 BPM | ||
Antonio Vivaldi: Concerto For 2 Violins In A Minor, Op. 3 No. 8- Allegro (Mouvement 3) | Tafelmusik Baroque Orchestra | A♭ Minor | 2 | 1A | 141 BPM | ||
Pie Jesu (Requiem) | La Capella Reial De Catalunya, Hespèrion XX, Jordi Savall | B♭ Major | 0 | 6B | 70 BPM | ||
Por Que Llorax Blanca Niña - Romances Vocales: El Moro De Antequera (Rhodes) | Hespèrion XXI, Montserrat Figueras, Jordi Savall | B♭ Major | 1 | 6B | 117 BPM | ||
Quintetto No. 4 in Re Maggiore "Fandango" per Corda e Chitarra, G. 448: Grave Assai - Fandango | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | A Major | 2 | 11B | 115 BPM | ||
Sonnerie de Ste. Geneviève du Mont-de-Paris (Marin Marais) | Marin Marais, Rolf Lislevand, Jordi Savall, Fabio Biondi, Pierre Hantaï | A♭ Minor | 2 | 1A | 124 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM |
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