Jean-Philippe Rameau, Christian-Pierre La Marca made "Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin" available on November 27, 2020. The duration of Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 19 in Cello 360 by Christian-Pierre La Marca. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin is average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin by Jean-Philippe Rameau, Christian-Pierre La Marca is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana | Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio Vivaldi | F♯ Minor | 1 | 11A | 129 BPM | ||
Dido and Aeneas, Z. 626: When I am Laid in Earth (Dido's Lament, Arr. for Cello & Orchestra by Julian Riem) | Henry Purcell, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | G Minor | 1 | 6A | 79 BPM | ||
Magnificat en mi bémol majeur, BWV 243a: "Deposuit potentes" | Johann Sebastian Bach, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | G Minor | 5 | 6A | 101 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G Minor, RV 531: 3. Allegro | Antonio Vivaldi, Harriet Krijgh, Kaori Yamagami, Amsterdam Sinfonietta, Candida Thompson | G Minor | 4 | 6A | 141 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM |
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