Marin Marais, Rolf Lislevand, Jordi Savall, Fabio Biondi, Pierre Hantaï's 'Sonnerie de Ste. Geneviève du Mont-de-Paris (Marin Marais)' came out on January 1, 2001. Since Sonnerie de Ste. Geneviève du Mont-de-Paris (Marin Marais) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Tous les matins du monde (Bande originale du film)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Sonnerie de Ste. Geneviève du Mont-de-Paris (Marin Marais)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonnerie de Ste. Geneviève du Mont-de-Paris (Marin Marais) by Marin Marais, Rolf Lislevand, Jordi Savall, Fabio Biondi, Pierre Hantaï having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: III. Sarabande | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 0 BPM | ||
Primera Parte - Yo Soy La Locura, Capítulo I: Fanfarra Instrumental (Anónimo (CMP 106)) | Montserrat Figueras, Hespèrion XXI, La Capella Reial De Catalunya, Jordi Savall | E Minor | 1 | 9A | 101 BPM | ||
Suite In Old Style: II. The Rose Garden, By Moonlight | Dobrinka Tabakova, Lithuanian Chamber Orchestra, Vaiva Eidukaitytė-Storastienė, Maxim Rysanov | D Minor | 2 | 7A | 79 BPM | ||
Kanon und Gigue | Johann Pachelbel, Jordi Savall | D Major | 2 | 10B | 76 BPM | ||
Concerto for Mandolin No. 2 in A Minor, Op. 144: I. Maestoso | Raffaele Calace, Julien Martineau, Rinaldo Alessandrini, Concerto Italiano | A Minor | 2 | 8A | 148 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
13 Pieces for Piano, Op. 76: II. Etude | Jean Sibelius, Jian Wang, Göran Söllscher | G Minor | 0 | 6A | 124 BPM | ||
Improvisations sur les folies d'Espagne (extraits) (Marin Marais) | Marin Marais, Jordi Savall | B Major | 1 | 1B | 59 BPM | ||
Il terzo libro de varie sonate, sinfonie..., Op. 12: Sonata in G Major on an Aria by Ruggiero | Salomone Rossi, Jordi Savall | G Major | 2 | 9B | 89 BPM | ||
Dance of the Dolls: Lyric Waltz (Orch. by Tamas Batiashvili) | Dmitri Shostakovich, Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | B♭ Major | 0 | 6B | 168 BPM |
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