"Toccata arpeggiata" by Giovanni Girolamo Kapsberger, Jonas Nordberg was released on March 3, 2017. The duration of Toccata arpeggiata is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Toccata arpeggiata's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ruby Hughes, Jonas Nordberg, Mime Yamahiro-Brinkmann's "Heroines of Love & Loss" album is number 1 out of 16. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, Toccata arpeggiata is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Toccata arpeggiata by Giovanni Girolamo Kapsberger, Jonas Nordberg to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les berceaux, Op. 23 No. 1 | Gabriel Fauré, Christian-Pierre La Marca | C Minor | 0 | 5A | 65 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM | ||
Improvisation II on the Folia bass | Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | B Major | 1 | 1B | 107 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Le printemps, Op. 18 | Darius Milhaud, Frédéric Pélassy, Eliane Reyes | F♯ Minor | 2 | 11A | 103 BPM | ||
Eternal Source of Light Divine, HWV 74 (Arrangement) | George Frideric Handel, Rolf Lislevand, Concerto Stella Matutina | C Major | 1 | 8B | 98 BPM | ||
Corrente 2a | Giovanni Girolamo Kapsberger, Paul O'Dette | D Minor | 1 | 7A | 129 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Musette en rondeau | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 1 | 12B | 68 BPM |
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