"Improvisation II on the Folia bass" by Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent was released on January 24, 2006. Since Improvisation II on the Folia bass is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Teatro Lirico". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Improvisation II on the Folia bass is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Improvisation II on the Folia bass by Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatæ unarum fidium: Sonata No. 2 | Johann Heinrich Schmelzer, David Irving, Hannah Lane, Tommie Andersson, John O'Donnell, Laura Vaughan | E Major | 2 | 12B | 71 BPM | ||
Viola da Gamba Suite in D Major: IV. Andante | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 138 BPM | ||
La Lucrezia: Recit - Ma Voi Forse Nel Cielo | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | A♭ Minor | 0 | 1A | 95 BPM | ||
Aria della Fulia variata (con parti variati) | Giovanni Paolo Foscarini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 190 BPM | ||
Almira, HWV 1, Act I Scene 2: Ach wiltu die Herzen | George Frideric Handel, Zachary Wilder, Boston Early Music Festival Orchestra, Stephen Stubbs, Paul O'Dette | B♭ Major | 1 | 6B | 117 BPM | ||
St Matthew Passion, Danksagungsliedchen: No. 33, Was soll ich, liebster Jesu du | Johann Sebastiani, Colin Balzer, Ina Siedlaczek, Nathan Medley, Jason McStoots, Jonathan Woody, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs | G Major | 0 | 9B | 131 BPM | ||
Folia variations for harp solo | Anonymous, Lucas Ruiz de Ribayaz, Maxine Eilander | B Major | 1 | 1B | 148 BPM | ||
St Matthew Passion, Jesus vor Pilatus: No. 18, Aber die Hohenpriester | Johann Sebastiani, Colin Balzer, Christian Immler, Ina Siedlaczek, Jason McStoots, Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs | F Major | 1 | 7B | 88 BPM | ||
Tarantella II - Arranged By Efrain Oscher | Santiago De Murcia, Pacho Flores, Ralf Benesch, Konzerthausorchester Berlin, Sabine Erdmann, Christian Vasquez | D Minor | 2 | 7A | 67 BPM | ||
Antiochus und Stratonica, Act I Scene 6: March | Christoph Graupner, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs | C Major | 1 | 8B | 169 BPM |
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