Johann Heinrich Schmelzer, David Irving, Hannah Lane, Tommie Andersson, John O'Donnell, Laura Vaughan's 'Sonatæ unarum fidium: Sonata No. 2' came out on October 12, 2018. Sonatæ unarum fidium: Sonata No. 2 is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. There are a total of 7 in the song's album "The Emperor's Fiddler". In this album, this song's track order is #2. Sonatæ unarum fidium: Sonata No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonatæ unarum fidium: Sonata No. 2 by Johann Heinrich Schmelzer, David Irving, Hannah Lane, Tommie Andersson, John O'Donnell, Laura Vaughan having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arpeggiata (Prelude) | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 133 BPM | ||
Sonata For Violin And Continuo II: Imitazione del Liuto. Presto | Johann Paul Von Westhoff, Daniel Hope, Stefan Maass, Stefan Rath | C Major | 0 | 8B | 105 BPM | ||
Lachrimae Antiquae Novae from Lachrimae, or Seaven Teares | John Dowland, Fretwork | G Minor | 0 | 6A | 113 BPM | ||
Sonata quarta in D Major: IV. Gigue | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | F♯ Major | 1 | 2B | 131 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: V. Rejouissance | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 140 BPM | ||
Sonata for 2 violins and basso continuo in A, Op. 8 No. 7: II. Fuga | Pietro Locatelli, Igor Ruhadze, Ensemble Violini Capricciosi, Daria Gorban, Mark Dupere, Nika Zlataric, Vaughan Schlepp & Masato Suzuki | A♭ Major | 3 | 4B | 128 BPM | ||
Nais, RCT 49, Prologue, Scène V: Premier rigaudon - Deuxième rigaudon | Jean-Philippe Rameau, Teodor Currentzis | A♭ Major | 3 | 4B | 64 BPM | ||
III. Le tendre: (Ouverture) Le tendre - Sarabande du tendre - Gavote La ferme - Menuet du tendre | Monsieur de Sainte-Colombe, Les Voix Humaines | A♭ Minor | 1 | 1A | 73 BPM | ||
Bach, JC: Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): III. Prestissimo | Johann Christian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | G Major | 3 | 9B | 91 BPM | ||
Concerto for Strings in D Minor, RV 127: III. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM |
Section: 0.7065455913543701
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