"Arpeggiata (Prelude)" by Carl Friedrich Abel, Paolo Pandolfo was released on January 1, 1998. The duration of Arpeggiata (Prelude) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Arpeggiata (Prelude)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Viola Da Gamba Recital: Pandolfo, Paolo - Ortiz, D. / Corkine, W. / Hume, T. / Sumarte, R. / Machy, S. / Marais, M. / Bach, J.S. by Paolo Pandolfo. The song's track number on the album is #19 out of 22 tracks. Based on our statistics, Arpeggiata (Prelude)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Arpeggiata (Prelude) by Carl Friedrich Abel, Paolo Pandolfo has a tempo of 133 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Arpeggiata (Prelude) being at 133 BPM, the half-time would be 66 BPM with a double-time of 266 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Entrée de Luths | Robert Ballard, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 96 BPM | ||
Le bourgeois gentilhomme: Chaconne | Jean-Baptiste Lully, Emanuela Galli, Yetzabel Arias Fernandez, La Risonanza, Fabio Bonizzoni | C Major | 2 | 8B | 90 BPM | ||
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 81 BPM | ||
Ancor che col partire (Arr. The Dowland Project, Potter) | Cipriano de Rore, The Dowland Project | A Minor | 1 | 8A | 111 BPM | ||
Melancholy Galliard | Hopkinson Smith, John Dowland | A♭ Major | 1 | 4B | 80 BPM | ||
Nisi Dominus (Psalm 126), RV 608 - Arr. Recorder & Strings: "Cum dederit" | Antonio Vivaldi, Lucie Horsch, Amsterdam Vivaldi Players | D Major | 0 | 10B | 93 BPM | ||
Dernière courente de Gautier | Denis Gaultier, Bernhard Hofstötter | D♭ Minor | 1 | 12A | 148 BPM | ||
Folias Españolas | Rolf Lislevand, Santiago De Murcia | B Major | 1 | 1B | 120 BPM |
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