Jean-Philippe Rameau, Teodor Currentzis made "Nais, RCT 49, Prologue, Scène V: Premier rigaudon - Deuxième rigaudon" available on October 17, 2014. The duration of Nais, RCT 49, Prologue, Scène V: Premier rigaudon - Deuxième rigaudon is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Nais, RCT 49, Prologue, Scène V: Premier rigaudon - Deuxième rigaudon's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Rameau - The Sound of Light". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Nais, RCT 49, Prologue, Scène V: Premier rigaudon - Deuxième rigaudon is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Nais, RCT 49, Prologue, Scène V: Premier rigaudon - Deuxième rigaudon by Jean-Philippe Rameau, Teodor Currentzis having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Menuets I & II | Jean-Philippe Rameau, Víkingur Ólafsson | G Major | 1 | 9B | 79 BPM | ||
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | A Major | 1 | 11B | 82 BPM | ||
Nais, RCT 49, Prologue, Scène V: Premier rigaudon - Deuxième rigaudon | Jean-Philippe Rameau, Teodor Currentzis | A♭ Major | 3 | 4B | 64 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Mystical Circles of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | D♭ Minor | 0 | 12A | 82 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Hippolyte et Aricie / Act 2: Quelle soudaine horreur ton destin nous inspire! | Jean-Philippe Rameau, Jerome Varnier, Jean-Louis Meunier, Jacques-François Loiseleur des Longchamps, Les Musiciens du Louvre, Marc Minkowski | F Minor | 3 | 4A | 89 BPM | ||
Hippolyte et Aricie / Act 1: G malheur! G funeste sort! | Jean-Philippe Rameau, Bernarda Fink, Jean-Louis Georgel, Florence Katz, Les Musiciens du Louvre, Marc Minkowski | E♭ Major | 4 | 5B | 147 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 107 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: V. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 0 | 12B | 97 BPM |
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