Cologne Chamber Orchestra, Georg Philipp Telemann made "Overture (Suite) In D Major, TWV 55:D15: V. Rejouissance" available on November 15, 1999. The duration of Overture (Suite) In D Major, TWV 55:D15: V. Rejouissance is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Overture (Suite) In D Major, TWV 55:D15: V. Rejouissance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Telemann: Darmstadt Overtures (Suites)". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Overture (Suite) In D Major, TWV 55:D15: V. Rejouissance's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Overture (Suite) In D Major, TWV 55:D15: V. Rejouissance by Cologne Chamber Orchestra, Georg Philipp Telemann having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Instrumental Music from Dioclesian, Z. 627: 2. Preludio | Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra | B Minor | 0 | 10A | 114 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 180 BPM | ||
Konzert für Violoncello, Streicher & Basso continuo g-moll: III. Allegro non tanto | Georg Matthias Monn, Balázs Máté/Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani | F♯ Minor | 2 | 11A | 127 BPM | ||
Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": II. Allemanda. Allegro | Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone | C Minor | 1 | 5A | 99 BPM | ||
Flute Sonata in E Minor: III. Presto | Frederick the Great, Berliner Barock Compagney | A♭ Minor | 1 | 1A | 128 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: II. Adagio | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol Matt | C Major | 0 | 8B | 141 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Sinfonia à 8 in A Minor, ZWV 189: V. Menuet I & II | Jan Dismas Zelenka, Freiburger Barockorchester, Gottfried Von Der Goltz | D♭ Major | 2 | 3B | 120 BPM | ||
Suite a-moll TWV55:a2: Suite a-moll TWV55:a2: Ouverture | Georg Philipp Telemann, Maurice Steger, Akademie für Alte Musik Berlin | A♭ Minor | 2 | 1A | 97 BPM |
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