"St Matthew Passion, Danksagungsliedchen: No. 33, Was soll ich, liebster Jesu du" by Johann Sebastiani, Colin Balzer, Ina Siedlaczek, Nathan Medley, Jason McStoots, Jonathan Woody, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs was released on May 4, 2018. The duration of St Matthew Passion, Danksagungsliedchen: No. 33, Was soll ich, liebster Jesu du is about 3 minutes long, at 3:08. Based on our data, "St Matthew Passion, Danksagungsliedchen: No. 33, Was soll ich, liebster Jesu du" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 33 in the song's album "Sebastiani: Matthäus Passion". In this album, this song's track order is #33. Furthermore, we believe that the track originated from Germany. Based on our statistics, St Matthew Passion, Danksagungsliedchen: No. 33, Was soll ich, liebster Jesu du's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With St Matthew Passion, Danksagungsliedchen: No. 33, Was soll ich, liebster Jesu du by Johann Sebastiani, Colin Balzer, Ina Siedlaczek, Nathan Medley, Jason McStoots, Jonathan Woody, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Gagliarda la manfrolina | Anonymous, Musica Antiqua, Christian Mendoze | D Minor | 1 | 7A | 118 BPM | ||
Missa Quarti Toni: Gloria | Vincenzo Ruffo, Le Poème Harmonique, Vincent Dumestre | C Major | 2 | 8B | 92 BPM | ||
Der dieser Erden schönes Hauß: Parnaß-Blumen | Johann Sebastiani, Ælbgut, Wunderkammer | D Minor | 2 | 7A | 102 BPM | ||
Pro Jiříka a Věrku Kutinovy | Pavel Jurkovič, Hana Blažíková, Tomáš Král, Hana Fleková, Jiřina Dvořáková-Marešová | C Major | 2 | 8B | 90 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
St Matthew Passion, Die Gefangennahme: No. 10, Und er kam und fand sie aber alle schlafend | Johann Sebastiani, Colin Balzer, Christian Immler, Nathan Medley, Jason McStoots, Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs | F Major | 1 | 7B | 78 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (b) Libera eas de ore leonis | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | A Major | 2 | 11B | 114 BPM | ||
Te deum, LWV 55: VI. Tu, ad liberandum suscepturus hominem | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 0 | 12B | 84 BPM |
Section: 0.7018380165100098
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