Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof made "Terpsichore*: La Bouree" available on October 13, 1998. The duration of Terpsichore*: La Bouree is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Terpsichore*: La Bouree's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Praetorius: Dances From Terpsichore". In this album, this song's track order is #14. In terms of popularity, Terpsichore*: La Bouree is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Terpsichore*: La Bouree by Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Den haghel ende | Jacob Obrecht, Concerto Palatino | B♭ Major | 0 | 6B | 151 BPM | ||
Doni Lute Book: Canario | Giovanni Girolamo Kapsberger, Jakob Lindberg | G Major | 1 | 9B | 76 BPM | ||
Holborne: The Fairy Round (Galliard No. 3) | Anthony Holborne, David Munrow, Early Music Consort Of London | C Major | 1 | 8B | 118 BPM | ||
Prothimia suavissima, Book 2: Sonata No. 11 | Antonio Bertali, Christopher Verrette, J. Tracy Mortimore, Dominic Teresi, Greg Ingles, Webb Wiggins, Chatham Baroque | G Minor | 2 | 6A | 104 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Sackbut | Heinrich Ignaz Franz von Biber, Michael Praetorius, David Munrow, Early Music Consort Of London | C Major | 0 | 8B | 75 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: III. Allegro | Arcangelo Corelli, Enrico Onofri | G Major | 3 | 9B | 116 BPM | ||
Danza alta | Francesco de la Torre, Accentus Ensemble, Thomas Wimmer | A Minor | 1 | 8A | 140 BPM | ||
Danserye: Basse danse: No. 5. La morisque | László Czidra, Tylman Susato, Camerata Hungarica | F Major | 4 | 7B | 119 BPM | ||
The English Dance Master, Vol. 1: The Beggar Boy | John Playford, Baltimore Consort | F Major | 0 | 7B | 78 BPM |
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