Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug"
Johann Sebastian Bach, Ann-Kathrin Bruggemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester
J.S. Bach Cantate "Ich habe genug"
7:27 February 23, 2018
BPM
142
Key
D♭ Major
Camelot
3B

Embed

Share Link

Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug" - Johann Sebastian Bach, Ann-Kathrin Bruggemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester Information

Acousticness
90%
Danceability
37%
Energy
20%
Instrumentalness
0%
Liveness
21%
Loudness
70%
Speechiness
4%
Valence
88%
Popularity
Loudness
-18.126 dB

Summary

On February 23, 2018, the song "Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug"" was released by Johann Sebastian Bach, Ann-Kathrin Bruggemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester. Since Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester's "J.S. Bach Cantate "Ich habe genug"" album is number 1 out of 5. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug"'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug" BPM

We consider the tempo marking of Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug" by Johann Sebastian Bach, Ann-Kathrin Bruggemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.

Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug" Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Handel: Ariodante, HWV 33: Handel: Ariodante, HWV 33: "Scherza, infida" (Ariodante)Philippe JarousskyF♯ Minor111A99 BPM
Fauré: Requiem, Op. 48: III. Sanctus by Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo JärviFauré: Requiem, Op. 48: III. SanctusGabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo JärviE♭ Major05B66 BPM
Il giardino di rose: Il giardino di rose: "Mentre io godo"Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc MinkowskiB Minor010A111 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E PianoCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachE♭ Major15B103 BPM
"Nach dir, Herr, verlanget mich" BWV 150: Coro: "Meine Tage in dem Leide"Johann Sebastian Bach, Ton Koopman, Anne Grimm, Peter de Groot, Joost van der Linden, Donald BentvelsenG Minor16A115 BPM
Wer ist der, so von Edom kömmt BWV 1167: I. No. 39, Der Gerechte kömmt um, BWV 1149 by Carl Heinrich Graun, Johann Sebastian Bach, Bach Collegium Japan, Masaaki SuzukiWer ist der, so von Edom kömmt BWV 1167: I. No. 39, Der Gerechte kömmt um, BWV 1149Carl Heinrich Graun, Johann Sebastian Bach, Bach Collegium Japan, Masaaki SuzukiE♭ Minor22A74 BPM
Porpora: Semiramide riconosciuta, Act 2: Porpora: Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo)Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque OrchestraF♯ Major02B65 BPM
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. "So ist mein Jesus nun gefangen"Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Bernarda Fink, Christine Schäfer, Concentus Musicus WienE♭ Minor12A139 BPM
Dixit Dominus, HWV 232: 8. De torrente in via bibet by George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon PrestonDixit Dominus, HWV 232: 8. De torrente in via bibetGeorge Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon PrestonD Major410B77 BPM
Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto by Ludwig van Beethoven, Kristian Bezuidenhout, Freiburger Barockorchester, Pablo Heras-CasadoPiano Concerto No. 4 in G Major, Op. 58: II. Andante con motoLudwig van Beethoven, Kristian Bezuidenhout, Freiburger Barockorchester, Pablo Heras-CasadoC Major18B74 BPM
ISRC
GBAYC1600563
Label
L-M Records/RCA Records

Section: 0.6561903953552246

End: 0.6624665260314941