On February 23, 2018, the song "Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug"" was released by Johann Sebastian Bach, Ann-Kathrin Bruggemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester. Since Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Sebastian Bach, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester's "J.S. Bach Cantate "Ich habe genug"" album is number 1 out of 5. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug"'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug" by Johann Sebastian Bach, Ann-Kathrin Bruggemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Ariodante, HWV 33: "Scherza, infida" (Ariodante) | Philippe Jaroussky | F♯ Minor | 1 | 11A | 99 BPM | ||
Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | ||
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
"Nach dir, Herr, verlanget mich" BWV 150: Coro: "Meine Tage in dem Leide" | Johann Sebastian Bach, Ton Koopman, Anne Grimm, Peter de Groot, Joost van der Linden, Donald Bentvelsen | G Minor | 1 | 6A | 115 BPM | ||
Wer ist der, so von Edom kömmt BWV 1167: I. No. 39, Der Gerechte kömmt um, BWV 1149 | Carl Heinrich Graun, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki | E♭ Minor | 2 | 2A | 74 BPM | ||
Porpora: Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | F♯ Major | 0 | 2B | 65 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 27, Aria und Chor. "So ist mein Jesus nun gefangen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Bernarda Fink, Christine Schäfer, Concentus Musicus Wien | E♭ Minor | 1 | 2A | 139 BPM | ||
Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | ||
Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto | Ludwig van Beethoven, Kristian Bezuidenhout, Freiburger Barockorchester, Pablo Heras-Casado | C Major | 1 | 8B | 74 BPM |
Section: 0.6561903953552246
End: 0.6624665260314941