"Handel: Ariodante, HWV 33: "Scherza, infida" (Ariodante)" by Philippe Jaroussky was released on October 29, 2012. Since Handel: Ariodante, HWV 33: "Scherza, infida" (Ariodante) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 32 in the song's album "The Voice". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Handel: Ariodante, HWV 33: "Scherza, infida" (Ariodante) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Handel: Ariodante, HWV 33: "Scherza, infida" (Ariodante) by Philippe Jaroussky having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Fiera di Venezia / Act 3: Vi sono sposa e amante | Antonio Salieri, Cecilia Bartoli, Rachel Brown, Anthony Robson, Orchestra of the Age of Enlightenment, Ádám Fischer | C Major | 3 | 8B | 130 BPM | ||
Dowland: The Firste Booke of Songes: No. 17, Come Again! Sweet Love Doth Now Invite | John Dowland, Philippe Jaroussky, Thibaut García | D Major | 0 | 10B | 119 BPM | ||
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Anna Netrebko, Mahler Chamber Orchestra, Claudio Abbado | A♭ Major | 1 | 4B | 78 BPM | ||
Purcell / Transcr. Garcia: If Music Be the Food of Love, Z. 379 | Henry Purcell, Philippe Jaroussky, Thibaut García | F Major | 1 | 7B | 83 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM | ||
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo di Furie e Spettri - Maestoso - Un poco largo - "Chi mai dell'Erebo" (Chorus) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 3 | 11A | 113 BPM | ||
Handel: Il trionfo del Tempo e del Disinganno, HWV 46a: "Lascia la spina, cogli la rosa" (Piacere) | George Frideric Handel, Philippe Jaroussky | B Major | 4 | 1B | 129 BPM | ||
Mysliveček: L'Olimpiade: "Gemo in un punto e fremo" (Licida) | Josef Mysliveček, Philippe Jaroussky, Vaclav Luks | G Major | 2 | 9B | 76 BPM |
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