Ludwig van Beethoven, Kristian Bezuidenhout, Freiburger Barockorchester, Pablo Heras-Casado's 'Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto' came out on August 21, 2020. With this song being about 5 minutes long, at 4:55, "Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto" by Ludwig van Beethoven, Kristian Bezuidenhout, Freiburger Barockorchester, Pablo Heras-Casado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 5 in Beethoven: Piano Concertos No. 4 by Ludwig van Beethoven, Freiburger Barockorchester, Pablo Heras-Casado, Kristian Bezuidenhout. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto by Ludwig van Beethoven, Kristian Bezuidenhout, Freiburger Barockorchester, Pablo Heras-Casado is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
Concerto for Strings in G Major, RV 151, "Alla Rustica": I. Presto | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | D Major | 3 | 10B | 107 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM |
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