"Young Birches, Op. 128, No. 2" by Amy Beach, Joanne Polk was released on April 7, 2008. The duration of Young Birches, Op. 128, No. 2 is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Young Birches, Op. 128, No. 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 22 in Beach: Variations on Balkan Themes Op. 60, Maria Funerale, Cadenza, Scottish Legend Op. 54 No. 1, etc. by Amy Beach, Joanne Polk. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Young Birches, Op. 128, No. 2 is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Young Birches, Op. 128, No. 2 by Amy Beach, Joanne Polk is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Gottes Zeit ist die allerbeste Zeit, Sonatina az "Actus tragicus"-ból, BWV 106 | Johann Sebastian Bach, Márta Kurtág, György Kurtág | E♭ Major | 0 | 5B | 74 BPM | ||
Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 73 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
Miscellanea, Op. 16: No. 4, Nocturne in B-Flat Major | Ignacy Jan Paderewski, Jenny Lin | B♭ Major | 0 | 6B | 61 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
24 Préludes, Op. 28: No. 4 in E Minor (Arr. Franchomme for Cello) [Adapted for 4 Cellos by Matthias Spindler] | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | G Major | 1 | 9B | 176 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM |
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