"Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo)" by Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra was released on October 14, 2013. The duration of Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) is about 3 minutes long, at 3:11. Based on our data, "Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 21 in Forever by Diana Damrau, Royal Liverpool Philharmonic Orchestra. Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) by Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Gianni Schicchi: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Diana Damrau, Muenchner Rundfunkorchester, Munich Radio Orchestra | A♭ Major | 1 | 4B | 89 BPM | ||
Paganini: "Gern hab ich die Frau'n geküsst" | Franz Lehár, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | E♭ Major | 1 | 5B | 77 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 2, September | Richard Strauss, Diana Damrau, Mariss Jansons, Bavarian Radio Symphony Orchestra | D Major | 1 | 10B | 169 BPM | ||
Die lustige Witwe / Act II: "Mein tapferer Reitersmann" - "So wie die Dinge sich entwickeln" | Franz Lehár, Bo Skovhus, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 73 BPM | ||
The Little Prince: The Pilot Meets the Prince | Rachel Portman, David Charles Abell | D Major | 1 | 10B | 110 BPM | ||
Die Fledermaus: Trinke Liebchen... Glücklich ist, wer vergißt | Johann Strauss II, Ingeborg Hallstein, Sandor Konya, Chor, Grosses Operetten Orchester, Franz Marszalek | F♯ Major | 1 | 2B | 94 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM |
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