"Paganini: "Gern hab ich die Frau'n geküsst"" by Franz Lehár, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra was released on September 12, 2014. The duration of Paganini: "Gern hab ich die Frau'n geküsst" is about 3 minutes long, at 3:23. Based on our data, "Paganini: "Gern hab ich die Frau'n geküsst"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 16 in Du bist die Welt für mich by Jonas Kaufmann. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Paganini: "Gern hab ich die Frau'n geküsst" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Paganini: "Gern hab ich die Frau'n geküsst" by Franz Lehár, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fünf Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg | D Major | 0 | 10B | 95 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Gott! - Welch Dunkel hier! | Ludwig van Beethoven, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | A♭ Major | 0 | 4B | 83 BPM | ||
Léhar: Die lustige Witwe: "Lippen schweigen" - "Ja, das Schweigen der Weiber ist schwer" | Franz Lehár, Melitta Muszely, Werner Schmidt-Boelcke, Rudolf Schock, FFB-Orchester | G Major | 2 | 9B | 175 BPM | ||
Carmen, WD 31 / Act 2: "La fleur que tu m'avais jetée" | Jonas Kaufmann, Georges Bizet, Prague Philharmonic Orchestra, Marco Armiliato | D♭ Major | 2 | 3B | 91 BPM | ||
Musica proibita | Stanislao Gastaldon, Jonas Kaufmann, Asher Fisch | A Major | 1 | 11B | 168 BPM | ||
Solveig's song | Edvard Grieg, Anna Netrebko | A Minor | 1 | 8A | 173 BPM | ||
Le Cid, Acte III, Scène 3: "Ah! tout est bien fini!... Ô souverain, ô juge, ô père" | Jules Massenet, Jonas Kaufmann, Bertrand de Billy | G Major | 2 | 9B | 81 BPM | ||
Selige Stunde, Op. 10, No. 2 | Alexander von Zemlinsky, Jonas Kaufmann, Helmut Deutsch | F♯ Major | 0 | 2B | 99 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM | ||
Nabucco, Act III: "Va', pensiero" (Chorus Of The Hebrew Slaves) | Giuseppe Verdi, Temistocle Solera, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | D♭ Major | 1 | 3B | 143 BPM |
Section: 0.6107985973358154
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