"L'Olimpiade, Act II Scene 17: Aria. "Nel lasciarti"" by Domenico Cimarosa, Maite Beaumont, Rocio Pérez, Josh Lovell, Mathilde Ortscheidt, Christophe Rousset, Les Talens Lyriques was released on April 12, 2024. L'Olimpiade, Act II Scene 17: Aria. "Nel lasciarti" is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. Because this song is the only song in Cimarosa: L'Olimpiade, Act II Scene 17: Aria. "Nel lasciarti" and no other songs are present in the album, we classify this track as a single. L'Olimpiade, Act II Scene 17: Aria. "Nel lasciarti" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Olimpiade, Act II Scene 17: Aria. "Nel lasciarti" by Domenico Cimarosa, Maite Beaumont, Rocio Pérez, Josh Lovell, Mathilde Ortscheidt, Christophe Rousset, Les Talens Lyriques is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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La Clemenza di Tito: Atto primo, scena X. No.10 Terzetto Vitellia, Publio, Annio "Vengo... aspettate... Sesto!... | Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, Sergio Foresti, René Jacobs, Marie-Claude Chappuis, Freiburger Barockorchester | G Major | 2 | 9B | 96 BPM | ||
Concerto a due cori No. 2, HWV 333: V. Allegro ma non troppo – Adagio | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 4 | 6B | 122 BPM | ||
Le Pouvoir de l'Amour, Deuxième entrée Scène 7: Entrée pour les habitants du Pactole | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | D♭ Major | 2 | 3B | 134 BPM | ||
Premier livre de pièces de clavecin, RCT 1 / Suite in A Minor: 4. Courante | Jean-Philippe Rameau, Christophe Rousset | D Minor | 4 | 7A | 111 BPM | ||
Theme and Variations in F Major, Op. 97: Theme | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players | A Major | 1 | 11B | 144 BPM | ||
Premier livre de pièces de clavecin, RCT 1 / Suite in A Minor: 2. Allemande | Jean-Philippe Rameau, Christophe Rousset | D Major | 5 | 10B | 85 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Ah! signore" ... "Cosa è stato?" (Antonio, Conte, Susanna, Contessa, Figaro) | Wolfgang Amadeus Mozart, Renato Capecchi, Thomas Hampson, Dawn Upshaw, Kiri Te Kanawa, Ferruccio Furlanetto, Metropolitan Opera Orchestra, James Levine | B♭ Major | 2 | 6B | 98 BPM | ||
Ariane consolée par Bacchus: VI. Air "Chantons sans fin…" | François Couperin, Christophe Rousset, Les Talens Lyriques, Stéphane Degout | D Minor | 4 | 7A | 111 BPM | ||
Le nozze di Figaro, K. 492, Act III: E Susanna non vien!... Dove sono i bei momenti - Remastered 2024 | Wolfgang Amadeus Mozart, Maria Reining, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Alcina, HWV 34 / Act 1: Io dunque | George Frideric Handel, Kobie Van Rensburg, Karina Gauvin, Maite Beaumont, Il Complesso Barocco, Alan Curtis | G Major | 4 | 9B | 135 BPM |
Section: 0.9441993236541748
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