Wolfgang Amadeus Mozart, Renato Capecchi, Thomas Hampson, Dawn Upshaw, Kiri Te Kanawa, Ferruccio Furlanetto, Metropolitan Opera Orchestra, James Levine made "Le nozze di Figaro, K.492 / Act 2: "Ah! signore" ... "Cosa è stato?" (Antonio, Conte, Susanna, Contessa, Figaro)" available on January 1, 1991. Le nozze di Figaro, K.492 / Act 2: "Ah! signore" ... "Cosa è stato?" (Antonio, Conte, Susanna, Contessa, Figaro) is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Metropolitan Opera Orchestra, James Levine's "Mozart: Le Nozze di Figaro" album is number 12 out of 81. In terms of popularity, Le nozze di Figaro, K.492 / Act 2: "Ah! signore" ... "Cosa è stato?" (Antonio, Conte, Susanna, Contessa, Figaro) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Le nozze di Figaro, K.492 / Act 2: "Ah! signore" ... "Cosa è stato?" (Antonio, Conte, Susanna, Contessa, Figaro) by Wolfgang Amadeus Mozart, Renato Capecchi, Thomas Hampson, Dawn Upshaw, Kiri Te Kanawa, Ferruccio Furlanetto, Metropolitan Opera Orchestra, James Levine to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude & Fughetta in G Major, BWV 902: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | D Major | 3 | 10B | 101 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25, MWV O7: 1. Molto allegro con fuoco | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
Adagio In E Major KV 261 | Eduardo Marturet, Concertgebouw Chamber Orchestra, Emmy Verhey, Wolfgang Amadeus Mozart, C. Jared Sacks, Channel Classics | E Major | 1 | 12B | 104 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Dolly, Op. 56: 1. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM |
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