"Cimarosa: Artemisia, Act 2: "Entro quest'anima" (Artemisia)" by Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton was released on April 17, 2024. Cimarosa: Artemisia, Act 2: "Entro quest'anima" (Artemisia) is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. There are a total of 141 in the song's album "The Distinguished Conductor". In this album, this song's track order is #59. Furthermore, we believe that the track originated from United Kingdom. Cimarosa: Artemisia, Act 2: "Entro quest'anima" (Artemisia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cimarosa: Artemisia, Act 2: "Entro quest'anima" (Artemisia) by Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Penelope | Domenico Cimarosa, Simone Perugini, Harmoniae Templum Chamber Orchestra | B Major | 1 | 1B | 85 BPM | ||
Falstaff, Act I: Ma è tempo d'assottigliar l'ingegno | Giuseppe Verdi, Heinz Zednik, Giuseppe Taddei, Federico Davia, Wiener Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 70 BPM | ||
Un ballo in maschera / Act 1: "Il cenno mio" | Giuseppe Verdi, José Carreras, Ingvar Wixell, Sona Ghazarian, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | B♭ Minor | 1 | 3A | 80 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Las Golondrinas, Final, II parte: "¡Oh, Puck, por ti mi corazón!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
Keyboard Sonata C. 65 in D Major | Domenico Cimarosa, Stefano Bigoni | A Major | 3 | 11B | 123 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Gli sguardi trattieni" (Amore) | Christoph Willibald Gluck, Stefan Plewniak, Fatma Said, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Il matrimonio segreto / Act 1: Cara, non dubitar | Domenico Cimarosa, Ryland Davies, Arleen Auger, English Chamber Orchestra, Daniel Barenboim | B♭ Major | 3 | 6B | 109 BPM | ||
Lucia di Lammermoor, Act II: Lucia, fra poco a te verrà | Gaetano Donizetti, Didier Pieri, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 1 | 10B | 88 BPM |
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