"Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche)" by Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal was released on July 15, 2014. The duration of Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Liszt, Tamas Pal's "Liszt: Don Sanche, S476/R13" album is number 19 out of 34. On top of that, Hungary appears to be the country where this track was created. In terms of popularity, Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) by Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vom Himmel hoch: IV. Aria "Sei willekomm, du edler Gast!" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | G Major | 0 | 9B | 73 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Overture | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Der geduldige Socrates (Patient Socrates), TWV 21:9: Act I Scene 3: Recitative: Nun, werte Schar – Scene 4: Recitative: Ich habe den Besuch (Xantippe, Alcibiades, Melito, Socrates, Plato) | Georg Philipp Telemann, József Gregor, Eva Vamossy, Katalin Farkas, Eva Bartfai-Barta, Júlia Pászthy, Guy De Mey, Paul Esswood, Istvan Gati, Gábor Kállay, Martin Klietmann, Attila Fulop, Csaba Reti, Béla Szilágyi, Sebastian Krauter, Savaria Vocal Ensemble, Capella Savaria, Nicholas McGegan | E Major | 1 | 12B | 133 BPM | ||
Messa di Gloria: XI. Et incarnatus | Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | G Major | 1 | 9B | 78 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Con amores, la mi madre | Fernando Obradors, Ruth Ann Swenson | F Minor | 0 | 4A | 138 BPM | ||
Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Prolog: O vos omnes, qui transitis per viam | César Franck, Chor Der Philharmonie Schwäbisch Gmünd, Edith Wiens, Hubert Beck, Ivo Ingram, Philharmonie Schwäbisch Gmünd, Raimundo Mettre, Thomas Pfeiffer | A Major | 1 | 11B | 81 BPM | ||
Chants d'Auvergne, Vol. 1: No. 3c. Obal, Din Lou Limouzi (Over in Limousin) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 2 | 6B | 103 BPM | ||
Widerstehe doch der Sunde, BWV 54: Recitative: Die Art verruchter Sunden (Alto) | Johann Sebastian Bach, Julia Hamari, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | G Major | 4 | 9B | 123 BPM |
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