"Messa di Gloria: XI. Et incarnatus" by Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català was released on April 14, 2023. The duration of Messa di Gloria: XI. Et incarnatus is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Messa di Gloria: XI. Et incarnatus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Puccini: Messa di gloria & Orchestral Works". In this album, this song's track order is #11. Furthermore, we believe that the track originated from France. Messa di Gloria: XI. Et incarnatus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messa di Gloria: XI. Et incarnatus by Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM | ||
Stabat Mater, Op. 58, B. 71: II. Quis est homo, qui non fleret. Andante sostenuto | Antonín Dvořák, Eva Urbanova, Marta Benackova, John Uhlenhopp, Peter Mikuláš, Prague Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 84 BPM | ||
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
Donizetti: Roberto Devereux: Donna reale, a' piedi tuoi... | Gaetano Donizetti, Leyla Gencer, Piero Cappuccilli, Anna Maria Rota, Ruggero Bondino, Gabriele De Julis, Sivano Pagliuca, Bruno Grella, Orchestra e Coro Del Teatro di San Carlo di Napoli | D Major | 2 | 10B | 175 BPM | ||
Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM | ||
‘Neath My Lattice Through the Night (The Rose of Persia): ‘Neath My Lattice Through the Night (The Rose of Persia) | Arthur Sullivan, Erin Morley, Gerald Martin Moore, Ransom Wilson | B Major | 1 | 1B | 117 BPM | ||
La Bohème, Act 3: In un coupé? | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Vito Mattioli, Luciano Pavarotti | G Major | 2 | 9B | 79 BPM | ||
Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
Sadko, Scene 4: Song of the Hindu Merchant (Hindu Merchant) | Nikolai Rimsky-Korsakov, Gennady Rozhdestvensky, Philharmonia Orchestra, Sergej Larin | D Major | 2 | 10B | 99 BPM | ||
The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me | Philip Creasy, Susan Gorton | C Major | 1 | 8B | 59 BPM |
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