The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me
Philip Creasy, Susan Gorton
The Pirates of Penzance (New D'Oyly Carte Opera Company Cast Recording)
3:09 November 1, 1991
BPM
59
Key
C Major
Camelot
8B

Embed

Share Link

The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me - Philip Creasy, Susan Gorton Information

Acousticness
99%
Danceability
16%
Energy
10%
Instrumentalness
71%
Liveness
11%
Loudness
56%
Speechiness
5%
Valence
28%
Popularity
Loudness
-26.364 dB

Summary

Philip Creasy, Susan Gorton's 'The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me' came out on November 1, 1991. The duration of The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me is about 3 minutes long, at 3:09. Based on our data, "The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 30 in the song's album "The Pirates of Penzance (New D'Oyly Carte Opera Company Cast Recording)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me BPM

With The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me by Philip Creasy, Susan Gorton having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
H.M.S. Pinafore / Act 2: Farewell, my own by Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Jean Hindmarsh, John Reed, Joyce Wright, Donald Adams, George Cook, Eric Wilson-Hyde, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore GodfreyH.M.S. Pinafore / Act 2: Farewell, my ownArthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Jean Hindmarsh, John Reed, Joyce Wright, Donald Adams, George Cook, Eric Wilson-Hyde, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore GodfreyC Major28B89 BPM
Messa di Gloria: Kyrie eleison by Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio MorandiMessa di Gloria: Kyrie eleisonGiacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio MorandiG Major19B92 BPM
El Niño: Se Habla De Gabriel by John Adams, Kent Nagano, Deutsches Symphonie-Orchester BerlinEl Niño: Se Habla De GabrielJohn Adams, Kent Nagano, Deutsches Symphonie-Orchester BerlinF♯ Minor011A111 BPM
Adams: Girls of the Golden West, Act I Scene 2: Now he consoles himself by John Adams, Los Angeles Philharmonic, Julia BullockAdams: Girls of the Golden West, Act I Scene 2: Now he consoles himselfJohn Adams, Los Angeles Philharmonic, Julia BullockA Major011B79 BPM
Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester by Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of WalesSongs of the Fleet, Op. 117: II. The Song of the Sou'WesterCharles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of WalesC Minor35A112 BPM
The Medium: Monica's Waltz by Gian Carlo Menotti, Patrice Michaels, Chicago Opera Theater Ensemble, Lawrence RapchakThe Medium: Monica's WaltzGian Carlo Menotti, Patrice Michaels, Chicago Opera Theater Ensemble, Lawrence RapchakG Minor16A169 BPM
Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember by John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot MadoreAdams: Girls of the Golden West, Act I Scene 3: Josefa, you rememberJohn Adams, Los Angeles Philharmonic, Daniela Mack, Elliot MadoreA♭ Major34B83 BPM
Donizetti: Roberto Devereux, Act 1: Donizetti: Roberto Devereux, Act 1: "Romanza - all'afflitto e dolce il pianto" (Sara) [Live]Gaetano Donizetti, Maurizio Benini, Orchestra of the Royal Opera House, Covent GardenG Major19B90 BPM
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIX. Pupillette, fiammette (Tempo di Minuetto) by Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew RosePulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIX. Pupillette, fiammette (Tempo di Minuetto)Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew RoseG Minor06A140 BPM
The Mikado: Three Little Maids from School Are We by Deborah Rees, Thora Ker, Yvonne PatrickThe Mikado: Three Little Maids from School Are WeDeborah Rees, Thora Ker, Yvonne PatrickA♭ Major04B89 BPM
ISRC
GBDGA0100973
Label
L-M Records/RCA Records

Section: 0.7530796527862549

End: 0.758514404296875