Philip Creasy, Susan Gorton's 'The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me' came out on November 1, 1991. The duration of The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me is about 3 minutes long, at 3:09. Based on our data, "The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 30 in the song's album "The Pirates of Penzance (New D'Oyly Carte Opera Company Cast Recording)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me by Philip Creasy, Susan Gorton having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
H.M.S. Pinafore / Act 2: Farewell, my own | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Jean Hindmarsh, John Reed, Joyce Wright, Donald Adams, George Cook, Eric Wilson-Hyde, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 89 BPM | ||
Messa di Gloria: Kyrie eleison | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | G Major | 1 | 9B | 92 BPM | ||
El Niño: Se Habla De Gabriel | John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin | F♯ Minor | 0 | 11A | 111 BPM | ||
Adams: Girls of the Golden West, Act I Scene 2: Now he consoles himself | John Adams, Los Angeles Philharmonic, Julia Bullock | A Major | 0 | 11B | 79 BPM | ||
Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Minor | 3 | 5A | 112 BPM | ||
The Medium: Monica's Waltz | Gian Carlo Menotti, Patrice Michaels, Chicago Opera Theater Ensemble, Lawrence Rapchak | G Minor | 1 | 6A | 169 BPM | ||
Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember | John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore | A♭ Major | 3 | 4B | 83 BPM | ||
Donizetti: Roberto Devereux, Act 1: "Romanza - all'afflitto e dolce il pianto" (Sara) [Live] | Gaetano Donizetti, Maurizio Benini, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 90 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIX. Pupillette, fiammette (Tempo di Minuetto) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon, Sam Furness, Matthew Rose | G Minor | 0 | 6A | 140 BPM | ||
The Mikado: Three Little Maids from School Are We | Deborah Rees, Thora Ker, Yvonne Patrick | A♭ Major | 0 | 4B | 89 BPM |
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