"Adams: Girls of the Golden West, Act I Scene 2: Now he consoles himself" by John Adams, Los Angeles Philharmonic, Julia Bullock was released on April 26, 2024. The duration of Adams: Girls of the Golden West, Act I Scene 2: Now he consoles himself is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Adams: Girls of the Golden West, Act I Scene 2: Now he consoles himself's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Adams, Los Angeles Philharmonic's "John Adams: Girls of the Golden West" album is number 4 out of 20. On top of that, United States appears to be the country where this track was created. Adams: Girls of the Golden West, Act I Scene 2: Now he consoles himself is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Adams: Girls of the Golden West, Act I Scene 2: Now he consoles himself by John Adams, Los Angeles Philharmonic, Julia Bullock to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa da Requiem: Introit: Requiem aeternam - Kyrie (Solo Quartet, Chorus) | Giovanni Bottesini, Marta Matheu, Gemma Coma-Alabert, Agustin Prunell-Friend, Enric Martinez-Castignani, Joyful Company Of Singers, London Philharmonic Orchestra, Thomas Martin | C Minor | 1 | 5A | 167 BPM | ||
Puts: The Hours, Act 2: "Louis? - Clarissa. Caught Me Smoking" (Clarissa, Louis, Chorus) [Live] | Kevin Puts, Yannick Nézet-Séguin, Metropolitan Opera Chorus, Renée Fleming, William Burden, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Zālīts, Pel t,velc miedziiņu | Jānis Zālīts, Elina Garanca, Malcolm Martineau | A♭ Major | 0 | 4B | 81 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | A Major | 0 | 11B | 169 BPM | ||
Puts: The Hours, Act 2: "Mm... ’Stead of Jousting You’d Rather…" (Mrs. Latch, Richie, Laura, Clarissa, Virginia, Leonard, Nelly) [Live] | Kevin Puts, Yannick Nézet-Séguin, Eve Gigliotti, Joyce DiDonato, Kai Edgar, Kathleen Kim, Kelli O'Hara, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Höchste Herrscherin der Welt | Gustav Mahler, Simon O'Neill, Los Angeles Philharmonic, Gustavo Dudamel | E Major | 2 | 12B | 70 BPM | ||
The Armed Man (Ensemble Version): XI. Now the Guns Have Stopped | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | C Major | 0 | 8B | 66 BPM | ||
4 Gesänge, Op. 17, D. 983: No. 4, Die Nacht (Arr. for Vocal Ensemble & Cello by Simon Parkin) | Franz Schubert, Josephine Knight, The Gesualdo Six | A Major | 0 | 11B | 76 BPM | ||
Puts: The Hours, Act 1: "...’Cause I’m Going to Die" (Chorus, Clarissa, Sally) [Live] | Kevin Puts, Yannick Nézet-Séguin, Denyce Graves, Metropolitan Opera Chorus, Renée Fleming, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM |
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