Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume
Richard Wagner, Kathrin Zukowski, KammerMusikKöln
The Wagner Project
4:39 April 19, 2024
BPM
169
Key
A Major
Camelot
11B

Embed

Share Link

Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume - Richard Wagner, Kathrin Zukowski, KammerMusikKöln Information

Acousticness
99%
Danceability
18%
Energy
3%
Instrumentalness
1%
Liveness
7%
Loudness
62%
Speechiness
5%
Valence
3%
Popularity
Loudness
-22.969 dB

Summary

"Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume" by Richard Wagner, Kathrin Zukowski, KammerMusikKöln was released on April 19, 2024. With this song being about 5 minutes long, at 4:39, "Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume" by Richard Wagner, Kathrin Zukowski, KammerMusikKöln is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "The Wagner Project". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. The popularity of Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume BPM

With Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume by Richard Wagner, Kathrin Zukowski, KammerMusikKöln having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.

Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume Key

This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
12 Romances, Op. 21: No. 7, How Fair This Spot by Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas12 Romances, Op. 21: No. 7, How Fair This SpotSergei Rachmaninoff, Hein Jung, Grigorios ZamparasA Major011B72 BPM
Mai by Reynaldo Hahn, Véronique Gens, Munich Radio Orchestra, Herve NiquetMaiReynaldo Hahn, Véronique Gens, Munich Radio Orchestra, Herve NiquetB♭ Major16B74 BPM
Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember by John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot MadoreAdams: Girls of the Golden West, Act I Scene 3: Josefa, you rememberJohn Adams, Los Angeles Philharmonic, Daniela Mack, Elliot MadoreA♭ Major34B83 BPM
The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me by Philip Creasy, Susan GortonThe Pirates of Penzance: Oh! False One, You Have Deceiv'd MePhilip Creasy, Susan GortonC Major18B59 BPM
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio ChorusIphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courrouxChristoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio ChorusC Major28B86 BPM
Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais by Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo SagripantiLakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épaisLéo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo SagripantiF Major17B82 BPM
7 Frühe Lieder: No. 3, Die Nachtigall by Alban Berg, Erin Morley, Gerald Martin Moore7 Frühe Lieder: No. 3, Die NachtigallAlban Berg, Erin Morley, Gerald Martin MooreG Major09B75 BPM
Magnificat in C by Charles Villiers Stanford, The King's Consort, Robert KingMagnificat in CCharles Villiers Stanford, The King's Consort, Robert KingE♭ Minor22A121 BPM
Das Halleluja der Schopfung (The Hallelujah of Creation): Heilig! Heilig! Heilig! (Chorus) by Friedrich Ludwig Aemilius Kunzen, Susanne Elmark, Danish National Radio Choir, Danish National Radio Symphony Orchestra, Peter MarschikDas Halleluja der Schopfung (The Hallelujah of Creation): Heilig! Heilig! Heilig! (Chorus)Friedrich Ludwig Aemilius Kunzen, Susanne Elmark, Danish National Radio Choir, Danish National Radio Symphony Orchestra, Peter MarschikC Minor05A83 BPM
Misatango, Misa a Buenos Aires: VIII. Crucifixus by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto PereyraMisatango, Misa a Buenos Aires: VIII. CrucifixusMartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto PereyraC Minor25A92 BPM
ISRC
DEAQ72453006
Label
L-M Records/RCA Records

Section: 0.6921086311340332

End: 0.6973476409912109