"Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume" by Richard Wagner, Kathrin Zukowski, KammerMusikKöln was released on April 19, 2024. With this song being about 5 minutes long, at 4:39, "Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume" by Richard Wagner, Kathrin Zukowski, KammerMusikKöln is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "The Wagner Project". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. The popularity of Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume by Richard Wagner, Kathrin Zukowski, KammerMusikKöln having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Romances, Op. 21: No. 7, How Fair This Spot | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | A Major | 0 | 11B | 72 BPM | ||
Mai | Reynaldo Hahn, Véronique Gens, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember | John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore | A♭ Major | 3 | 4B | 83 BPM | ||
The Pirates of Penzance: Oh! False One, You Have Deceiv'd Me | Philip Creasy, Susan Gorton | C Major | 1 | 8B | 59 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | ||
7 Frühe Lieder: No. 3, Die Nachtigall | Alban Berg, Erin Morley, Gerald Martin Moore | G Major | 0 | 9B | 75 BPM | ||
Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
Das Halleluja der Schopfung (The Hallelujah of Creation): Heilig! Heilig! Heilig! (Chorus) | Friedrich Ludwig Aemilius Kunzen, Susanne Elmark, Danish National Radio Choir, Danish National Radio Symphony Orchestra, Peter Marschik | C Minor | 0 | 5A | 83 BPM | ||
Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM |
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