Misatango, Misa a Buenos Aires: VIII. Crucifixus
MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra
Palmeri: Misatango, Misa a Buenos Aires
1:11 January 6, 2017
BPM
92
Key
C Minor
Camelot
5A

Embed

Share Link

Misatango, Misa a Buenos Aires: VIII. Crucifixus - MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra Information

Acousticness
99%
Danceability
16%
Energy
19%
Instrumentalness
82%
Liveness
13%
Loudness
73%
Speechiness
4%
Valence
17%
Popularity
Loudness
-15.912 dB

Summary

"Misatango, Misa a Buenos Aires: VIII. Crucifixus" by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra was released on January 6, 2017. With Misatango, Misa a Buenos Aires: VIII. Crucifixus being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Palmeri: Misatango, Misa a Buenos Aires". In this album, this song's track order is #8. In terms of popularity, Misatango, Misa a Buenos Aires: VIII. Crucifixus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Misatango, Misa a Buenos Aires: VIII. Crucifixus BPM

With Misatango, Misa a Buenos Aires: VIII. Crucifixus by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Misatango, Misa a Buenos Aires: VIII. Crucifixus Key

This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Fanfares liturgiques: Procession Nocturne by Henri Tomasi, Marie-Paule Lavogez, Andre Vaisse, Marseille Philharmonic Orchestra, Michel PiquemalFanfares liturgiques: Procession NocturneHenri Tomasi, Marie-Paule Lavogez, Andre Vaisse, Marseille Philharmonic Orchestra, Michel PiquemalC Major28B77 BPM
Inno alla pace by Gioachino Rossini, Michel Piquemal, Jean-Claude Pennetier, Ensemble Vocal Michel PiquemalInno alla paceGioachino Rossini, Michel Piquemal, Jean-Claude Pennetier, Ensemble Vocal Michel PiquemalD♭ Major03B86 BPM
Magnificat: V. Et misericordia eius by MartÍn Palmeri, Aleksandra Turalska, Agata Schmidt, Mario Stefano Pietrodarchi, Capella Bydgostiensis, Kinga LitowskaMagnificat: V. Et misericordia eiusMartÍn Palmeri, Aleksandra Turalska, Agata Schmidt, Mario Stefano Pietrodarchi, Capella Bydgostiensis, Kinga LitowskaD Major110B98 BPM
Miserere in F Minor: Asperges me hyssopo (Soprano) by Giuseppe Sarti, Tamiko Okada, Irene Olavide, Victor Micaleff, Alberto Bianchi, Faenza Lauda Sion Chorus, Ferrara, Gianfranco PlacciMiserere in F Minor: Asperges me hyssopo (Soprano)Giuseppe Sarti, Tamiko Okada, Irene Olavide, Victor Micaleff, Alberto Bianchi, Faenza Lauda Sion Chorus, Ferrara, Gianfranco PlacciC Major18B117 BPM
Messa di Gloria: Agnus Dei by Giacomo Puccini, Willi Stein, Thomas Pfeiffer, Maulbronn Chamber Choir, South West German Radio Symphony Orchestra, members, Jurgen BuddayMessa di Gloria: Agnus DeiGiacomo Puccini, Willi Stein, Thomas Pfeiffer, Maulbronn Chamber Choir, South West German Radio Symphony Orchestra, members, Jurgen BuddayF Major27B131 BPM
Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble) by Richard Wagner, KammerMusikKöln, Kathrin ZukowskiMignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble)Richard Wagner, KammerMusikKöln, Kathrin ZukowskiE♭ Major15B69 BPM
Messa di Gloria: VII. Qui tollis peccata by Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó CatalàMessa di Gloria: VII. Qui tollis peccataGiacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó CatalàF Major17B116 BPM
Missa Te Deum laudamus in honour of S. Aloisii Gonzagae: Benedictus by Guy Ropartz, Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel PiquemalMissa Te Deum laudamus in honour of S. Aloisii Gonzagae: BenedictusGuy Ropartz, Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel PiquemalG Major09B62 BPM
Misa a Buenos Aires Misa a Buenos Aires "Misatango": IV. SanctusMartÍn Palmeri, Dagmar Linde, Bach-Chor Siegen, Rocco Heins, Peter Scholl, El Arroyo Tango Orchestra, Ulrich StötzelG Minor16A87 BPM
Mass No. 2 in G major, D. 167: III. Credo by Franz Schubert, Ensemble Orchestral Harmonia Nova, Ensemble Vocal Michel Piquemal, Michel PiquemalMass No. 2 in G major, D. 167: III. CredoFranz Schubert, Ensemble Orchestral Harmonia Nova, Ensemble Vocal Michel Piquemal, Michel PiquemalC Major28B98 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6502847671508789

End: 0.6540529727935791